Pop art in its beginning freeze-framed what customers of popular culture arts skilled into legendary visible abstractions. With the arrival of the techno age, visible data circulates in this sort of quantities, so swiftly and exponentially, that to understand a fraction of it all gets to be a sort of generation process in alone. The recording of background and how it is interpreted has permanently transformed. The publicity to mass media and buyer advertising and marketing has opened up a courageous new entire world of imagery saturation, with a tech savvy technology only also aware nevertheless receptive to the processes of imagery advertising like the careful acknowledgment of the digital image manipulation that readily takes place to this kind of pictures, ranging from the air brushing of functions to outright makes an attempt at fraud.
The use of digital media has moved from the role of recording and documenting a well-liked lifestyle of the time, to 1 now that produces its very own culture(s), in at any time quickening flashes that morph in and out of time typically in unison with the most current trend television sequence or motion picture franchise.
The ‘spinning pop’ venture as well-liked culture arts, is supported by way of the servicing of logs, diaries, and various volumes of collected documentary resources. These files comprise 5 elements by means of which the nature of my exercise is explored. I have adopted a visible technique to the standard ‘artist’s journal’, with an comprehensive series of visual, prepared, and collected paperwork that have recorded the performs in method. The five documentary factors of this venture comprise Collections (volumes of textual content based mostly source components) Diaries of electronic day-to-day images and collages printed onto duplicate paper Operate in development logs (volumes of notes and photos of the daily perform practices) Everyday postings to the social networks of the completed operates and such as the Electronic movie compilation diaries.
Even though www.culturefeast.com is motivated by Rene Magritte’s wonderful feeling of mystery in his juxtaposition of what seems to be unrelated photos, I find a considerably less literal illustration of the photographs designed. His intent is to construct an ambiguity into the visual language, an intention to interact the viewer on a number of amounts. Normally my painted function is in a pixelated type, and whilst they are affected by Georges Seurat’s intent for the viewer’s eye to blend the colours, they are not created via the Pointillism approach. The digital function varies in its use of mediums and presentation, frequently created with archival inks-on-cottonrag paper.
Unsurprisingly, we as a collective of artists look at every single side of life from a well-known tradition arts viewpoint, utilizing all accessible source, resources and mediums to depict our interpretation of the world about us. The use of electronic photograph manipulation, and the creation of random imagery is just not astonishing, nor exterior the ‘norm’ of our courageous new world. Photography has for numerous decades experienced to fight the accusation of ‘But is it Art?’, and thus as technologies develops at this sort of an astonishing rate, photographic manipulation is the medium at the proverbial ‘coal face’ or reducing edge, at which you would anticipate to find artists running.